IV. Centuries
Slow motion makes more sense as light.
A string quartet, no quarter.
Forward into fourths coming together
and, equally if not more compellingly,
moving apart in sequence.
A map of evenly hung song as in a challenge.
As words move by lending themselves.
The dictionary as portable library. A minor mirror.
Before and after bifurcation.
A tribute is one tactic, an attribute of attack.
Fix the fact to the act in abstract.
Shanghai as a verb from which anguish
is produced as predicate. The spoils,
or polis politicized. The well-oiled pointers.
An exit sign to language. Escape clause.
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